As much as I generally hate film reviews, I'm going to begin my painfully self-aware blog with something that is, sort of, a film review.
Yesterday, I watched the film BATMAN THE DARK KNIGHT RISES (perhaps there was a comma or a colon in it but this is probably not that much of an issue). This was not, in and of itself, a Bad Film - in fact, I would almost go as far as to say it was actually quite good. I can tolerate the strange mixture of Batman-canon campness and film noir - this is, to some extent, inescapable. I can tolerate the weird Orientalist thing going on with the prison (although I am reliably informed that rather than being canon, this was in fact a screenwriter's divergence from canon since the original prison was supposed to be in some stereotyped banana republic in Latin America) and the fact that everyone in this film who even hints at being foreign ends up being evil. I can even cope with the plot holes and the fact that one of the main villains is called Ghoul Head in English, as LAME-O as that clearly is. These things would have been niggling but not, in and of themselves, enough to motivate me to actually type up and share my Thoughts with the world. What got me riled up was the implicit political message.
I say 'implicit' - it was in fact painfully explicit. Much of the scripting - not the trite one-liners or the Awrite Mate Oi'm A Cockney Geezer speeches written so that the director could get Michael Caine offscreen for as much of the film as possible, mind you, but the actual main core of the script - reads like it was written one-handed by a Neo-Con Ayn Rand fanfic scribbler who now has a suspiciously sticky keyboard.
If you've read this far and are still stupid enough to get upset if you are spoiled, which seems pretty unlikely, then SPOILERS AHOY READ NO FURTHER SAILOR
Now obviously, Batman is on his own merits basically the darling of the Randian American Dream - admittedly, he indulges in that HORRIBLE RANDIAN SIN of CHARITY TOWARDS OTHERS rather than charging the city of Gotham for his unparalleled law-keeping skills, but he is nonetheless what many right-wingers would view as a perfect citizen - he is ridiculously rich, has glossy hair that speaks of generations of good breeding, and spends much of his money on
masturbatory gadgets saving and protecting the Innocent (voluntarily, not having his hard-earned money STOLEN FROM HIM by gumm'int). At the same time we see the government-recruited POLICE FORCE, for all they get a bit part gruffly (and frankly, rather pointlessly) charging a wall of heavily-armed mercenaries, showing incompetence and glory-hunger at every turn. Even during their moment in the spotlight the police have most of their work done for them by a typically heavily armed Batman. Nobody ever stops to ask themselves, of course, if the police could perhaps be as successful - if not more so - as The Batman if Waynecorp PLC or whatever it's called would just hand over some of the less shiny of their phallic weaponry to law enforcement.
Anyway, that's not my main issue. My main issue is the somewhat... socialist main villain. Or nominally socialist, anyway.
As far as I could tell, the plot was basically this: Girl wants to destroy Gotham City. Aforementioned girl - who at this point we just think is a sexay exotic love interest - makes it impossible for Bruce Wayne to continue running Wayneron through an elaborate plan manipulating a major businessman (why this guy is needed for the plot is unclear, he doesn't take the blame in any meaningful sense - except I suppose for the audience, but we know almost as soon as we find out he was 'behind' the plan that it did not go as he wanted it to) into thinking he is paying mercenaries (who it turns out are the girls' stooges) led by a mysterious bulky man with a painkiller-pumping mask (BANE!!!!!) to break into the Stock Exchange and enact some mysterious economy-related fraud involving Stocks and Shares and ARPs and ISAs and banking-relating things that I assume this film's target audience will be getting aroused just at the thought of WHICH THEN MEANS that Bruce Wayne loses control of the company and, because aforementioned Girl has by various means convinced him he can trust her, hands it over to her (instead of the businessman who is promptly killed).
Why this elaborate scheme is needed is not ENTIRELY obvious to me, but whatever. What happens next is even weirder.
It turns out that the reason that aforementioned Girl needed control of Wayne and Sons is because they have been making a (remarkably easily weaponisable) nuclear fusion device which she wants to use to destroy Gotham (remember that until the very end we are led to believe that it is Bane who is behind all this, not Girl). Once they have control, Batman is beaten up by Bane, who is physically his superior, some pretty cool fight scenes here which I for one thought B. Wayne deffo had coming to him - wait, Bane and Bruce wAyne sound almost the same oh wait is this what passes for irony in the comic book world well never mind, and is packaged off to some Black Hole of Calcutta ripoff where he can learn the True Meaning of Hope from a Wise Old Foreign Man and also learns some things about Bane (which you would think would be accurate but which it transpires are not; no reason given why people who witnessed the events wouldn't know what is going on, but OH WELL). In the meantime, stuff gets a bit revolutionary - Bane traps all of the police in the storm drains and then makes a big speech where he a) tells people about the weaponised nuclear device he now has and b) tells them they are going to let The People Take Back This City (the bomb he uses to keep the army from moving into Gotham). A vaguely interesting note is that for once the national government seems to actually take an interest in Gotham - the President who is depicted is, interestingly, white (most American TV since Obama was elected seems to go with black presidents, but oh well, let's not read too much into this). They can't do squat, though, because of the nuclear bomb (and here again is a chance for the scriptwriter to depict TAX-THEFT FUNDED FORCES as generally inadequate and incompetent, although to be fair there are at least two True Blue American Hero Cops in the film, though one of them quits when he realises that there are Too Many Restrictions and becomes yet another self-funded vigilante).
What then happens is sort-of embarrassingly predictable - Bane sets up MOB COURTS which are actually just for sentencing hearings and condemn everyone who comes before them to death and claims that 'the people' are reclaiming the city à la Occupy whilst actually running the city by martial law and putting innocent rich people to death and looting all their stuff and OH MY GOD GUYS WHAT AN ADVANCED AND CLEVER ALLEGORY FOR THE EVILS OF SOCIALISM and I guess, maybe, you could say it's a lesson about Not Listening To Demagogues and Thinking For Yourself
... hahahaha no you couldn't don't be silly. In fact, The People themselves are never seen participating (presumably because a major part of the plot is emphasising that ACTUALLY, EVIL VILLAINS WHO WANT TO RESTORE ECOLOGICAL AND FINANCIAL BALANCE TO THE WORLD AND REDRESS EVERYONE'S WRONGS, THE PEOPLE OF GOTHAM ARE ACTUALLY REALLY INNOCENT). There is even a bit where Bane gives a great speech about oppression etc - clearly OUTSIDE Black Gate Prison or whatever it's called - but even though he is obviously making a speech to The People, we see no people! Rather, we see a bunch of established Bad Guys cheering from inside the prison (where they can apparently hear the speech somehow???) and Bane's mercenaries following his exhortation to 'storm the prison' and 'free the oppressed'. It seems established that only the EVIL want to e.g. loot the homes of the rich and powerful and overthrow the social order.
It's not just the actual depiction of the EVIL SOCIALIST that makes me think this film is going out to be ideological, though - it's the fact that they included this plot line when NO SUCH PLOT LINE WAS NEEDED. Seriously - Bane's aim is apparently to destroy the city: why not just destroy the city? There is a distinct element of torturing Bruce Wayne's weird messiah complex, and I guess seeing Socialist Commie Bastards trying to steal all his hard-earned inherited wealth probably stirs the sympathy required from the audience the film seems to be aimed at, but since it's established that the People of Gotham seem to want nothing to do with Bane, why not just set his mercenaries loose - which is what happens in the end anyway?
The reason, of course, is the severe case of Sticky Keyboard Syndrome
that David Goyer seems to have developed over Wayne, Inc. and everything
that The Batman represents to the economic right wing. Or perhaps some
earlier comic-book writer. Either way, GUYYYYYS
Now here is a picture of some sheep to calm me down: